March 8, 2005

  • When I wrote my “Failure” poem, I had a bunch of stuff left over that I kind of liked but just did not fit into the poem. Thus, the leftover lines and a bit of messing around with them became this poem, “Apathy”, below. I wasn’t satisfied with it as is and thought I should go with the nautical theme in the third verse.  Add a bit of Norse mythology and it became “Apathy `board Gunnlod’s Mead” which, as some people have noted, has some similarities with “The Rime of the Ancient Mariner” by Samuel T. Coleridge who is one of my favorite writers.  Since several people have asked me how I write a poem, I though I would go ahead and post this rough draft for those who are interested.

    Apathy (A rough draft for comparison purposes)

    A dance with the listless
    marionettes with cut stings
    heaped on the parquet
    All vitality long sloughed away
    By the always advancing
    Always encroaching
    Tide of frustration
    And failure

    Once proud and strong
    A browbeaten chest
    Bashed time and again
    Against the seemingly
    Immovable wall of hope
    A cruel wellspring
    That cried “try, try again”
    But provided no prize
    For the attempt
    Only punishment
    For the crime

    Thus the will is crushed
    And the struggle grows weaker
    The attempts to overcome
    Fewer and further apart
    Desire and trust
    Are dashed upon the rocks
    And life becomes a long
    Savage shipwreck
    The once fierce heart
    Drifts to and fro
    In the sea’s foamy surf
    Eroding with indifference
    Degrading into entropy
    At last arriving
    Sinking into the harbor
    Apathy


     


     

Comments (7)

  • Dear Andreas,

    Even though this post is eerily similar to one on the ElectricPoetry Group, I’ll put my two cents in on your blog in case I haven’t commented on the group yet. I found this a very interesting segue into how you personally “construct” a poem. I have noticed that you always have the disclaimer at the top of this blog that all your works are in “progress”. Sort of like malleable emotions and observations that might change over time. A very interesting way to write poetry. And while I much prefer ‘Gunnlod’s Mead’, Coleridge comparisons and all, I really enjoyed seeing the words in thier “raw” state. Thanks for posting the “original.”

    Michael F. Nyiri, poet, philosopher, fool

  • Tell ya the truth, Andreas, I like this one better than the long one. It’s more personal and immediate. Sometimes, more ingredients makes a more lackluster stew.

  • I second what paison_de_moot says. The rhythm of this one is better, more direct

  • I third! Here here!

    Sometimes cutting a lot from a poem creates edge. This one has spark man, I can feel it.

    Direct, as ascetikit said as well. This one has precision.

    YOU DON’T LIKE PAUL SIMON??????????

    oh, i’m shocked and bewildered.

    ~lisa

  • Thanks for sharing your process with us, this really spoke to me.

  • Everyone really dug your “Cheech and Chong” comment. :)

    lisa

  • WOW.  Such strong emotion and images from this. 

    “Desire and trust
    Are dashed upon the rocks
    And life becomes a long
    Savage shipwreck”

    These lines really hit home with me.  I do love the way you write.

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